Hikarix
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Art and the Cold War. Esthetic Resistance

02024

A story about the relationship between independent Soviet art and the West. It recalls a time when art was larger and more important than life itself. On one side, there are independent Soviet artists who lack not only the output but also the finances to complete their works. On the other side, there is the tempting West whose ambassadors (in the literal sense) take active interest in the Soviet underground art market. Selling one’s works to the West is a tricky business since the almighty KGB stands between the two mutually interested parties. Nevertheless, an incredible quantity of mainly Estonian and Moscovian visual art is sold and taken across the border. This is facilitated mainly by Western diplomats, behind whose coordinated actions stands none other than the CIA.

The Great Ice-Cream Robbery
Drawing the Line: A Portrait of Keith Haring
To Breathe as One
Style Wars In The Cutting Room
Brent Houzenga: Hybrid Pioneer
Allen Jones: Women and Men
Soup Cans and Superstars: How Pop Art Changed the World
Volker Bradke
The Warhol Effect
Isabel & Roy
Idea
Broadway by Light
Handmade - A Tale of Stop-motion
Roundabout Art
Night Flight: Born Again
Under The Tit
The Lowdown on Lowbrow
Jim Dine
Kaarel Kurismaa. The Limits of Timelessness
Pulped Fiction